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OCTOBER
2009
NEWSLETTER 33
WORK IN PROGRESS
I realize that this newsletter is over a month late and I apologize for that
delay I’ve pushed back the deadline so as to include several visits I
made during October of which more below. Meanwhile on the work front, my adult
novel is progressing and I have not given up hope of finishing it during 2009.
If not, then it won’t be far into 2010. I am determined to make a great
effort during the rest of this month and all through November.
On the German tv movie front, SOMMERLICHT
is in post production and those of you who read German will
be able to glean some details from this website. The movie
is certainly going to be very different indeed from my book
and I’m fascinated to see how it turns out. This
is a link to the Ziegler
website which talks about the movie.
EVENTS
I’ve always loved being invited to speak at the Edinburgh
Book Festival. This year, we made a weekend of it,
and spent a couple of nights in the city before the event
I did with Jonathan Stroud. We had dinner
with one of my favourite bookbloggers, Cornflower,
and her family in their beautiful home. My husband and I took
tea in the Authors’ Yurt with Nicola
Morgan and when he departed on Sunday morning, I
had lunch with Linda Strachan, Vanessa
Robertson of the Fidra Bookshop
and now also of the Edinburgh Bookshop and
Rebecca, her assistant and a good gossipy
time was had by all.The event with Jonathan Stroud was terrific
fun. Here are some pictures of us signing in the tent afterwards.
(Thanks to Helen Giles.)
click an image to see
a larger version
I then rushed off to hear Anne Fine and
Melvin Burgess speaking about books for vulnerable
children. Random House took us to dinner
on Sunday night and many thanks to Philippa Dickinson
for that, and to Georgia Lawes, Lauren
Bennett and Clare Hall-Craggs for
arranging my trip. I had a marvellous time and being in Edinburgh
for a few days allowed me to visit something I’d been
longing to see for ages: the Phoebe Traquair
murals in the Mansfield Traquair Centre.
They are very beautiful and well worth a visit if you can
arrange to be in Edinburgh on a day when the Mansfield Centre
is open. They keep strange hours. Here is a photo I took while
I was walking round but it doesn’t give you the detail.
click image to see
a larger version
Everyone who reads this newsletter will know that I’m
involved with the Lancashire Book of the Year
award. I’m now also involved with an exciting new course
being offered by UCLAN. (University of Central
Lancashire at Preston) It’s an M.A. in Writing
for Children, to go alongside a course they offer
in Publishing. It’s the brainchild
of Debbie Williams, who used to be in charge
of children’s books at Waterstone’s and Helen
Day. I went to the opening ceremony to welcome students
to the course. Helen had spent hours the day before baking
a special cake in the shape of Sleeping Beauty’s castle,
which was a real compliment to me (HAPPY EVER AFTER
is a reworking of three fairy tales including Sleeping Beauty)
and I thought it was quite beautiful. Here’s a photograph.
click image to see
a larger version
I visited North London Collegiate School
recently and had a very good time talking to Year 7 girls
and then to other pupils in the library over the lunch hour.
It’s a school I always enjoy going to and this time
the librarian, Hazel Bagworth-Mann and her
colleagues had made a beautiful collage of all my titles and
displayed it in the library. click an image to see
a larger version
The first Didsbury Arts Festival took place
between September 26th and October 3rd in my local area. Maria
Stripling and Carol Williams and
Debs Grace worked tirelessly to advertise
and promote it and there were over 80 events of all kinds
(musical, theatrical, artistic and craft as well as to do
with writing) all featuring local talent. I attended a very
pleasant reading by Cath Staincliffe, Elizabeth
Baines and Carl Tighe. See below
in Books for a review of Elizabeth’s new novel. I haven’t
managed to read the other two novels yet, but I will soon.
I did a creative writing workshop for children at the local
children’s bookshop, Razma Reads. Here’s
a picture of Billie and me taken that day.
(Thanks to Helen Giles once again. I don’t
know what I’d do for pictures if it weren’t for
her!)
click image to see
a larger version
I also did an event at our local Pizza Express about publication tips and hazards
awaiting the new writer etc. Not in the body of the restaurant itself but in
a pleasant upstairs room. We didn’t order any pizzas but the coffee was
lovely.
On Saturday October 3rd I returned to Razma Reads
to give out the prizes for the Festival Short Story
competition. Lots of people came to see the children collect
their book tokens and the festival ended on a high note.
I went to Winchester House School in Brackley
on October 5th and enjoyed my time there very much. Many thanks
to Louise Stothard for arranging this and
for driving me round. And thanks to Louise Farrow
for a warm welcome. I stayed the night with Linda
Newbery and her husband and cats and next day Linda
drove me through the pouring rain to Bicester. The excellent
Chiltern Line took me to London and I was in North Dulwich
by 10.00 am. Nicola Jones, the librarian
at JAPS (James Allen Preparatory School)
was waiting to meet me and I had a very good day there. Lots
of my books had been ordered in and I had actual queues waiting
to get them signed after each session.
click image to see
a larger version
FORTHCOMING EVENTS
I’m talking to students at UCLAN in
early November (see above) in their reading
group. They’ve been reading HAPPY EVER AFTER
and it’ll be fun to see what they say.
On November 22nd, I’m with the North
London branch of the Federation of Children’s
Books Groups.
And on December 1st, I’m talking to
the Friends of Chester Literature Festival
BOOKS
WOLF HALL by Hilary Mantel
(Fourth Estate) won the Man Booker prize and I was very pleased
by that decision. It’s a cracking book: substantial,
exciting, brilliantly written, full of passion and crowded
with people and events and yet also very personal, and intimate
and detailed. You can bury yourself in a perfectly depicted
past which seems in many ways quite like the present. I cannot
understand the newspaper fuss and flurry about historical
novels. I’ve always loved them and if you look at it
in a certain way, every novel is historical, even the ones
set in the quite recent past. This one is a triumph in every
way and I can’t wait for the sequel. Thomas Cromwell’s
story is not over yet. I’m a fan of the novels of C
J Sansom, too, and it’s fascinating to see his quite
different take on Cromwell. Wolf Hall is a huge book and a
very good excuse for splashing out on a new handbag to carry
it in. Others will think this is just the pretext they need
to buy an e-reader, but to me the heft of the novel is part
of the pleasure.
By contrast, here’s a novella. There’s a lot
to be said for novellas and I wish more publishers thought
it was worthwhile publishing them. Salt, a small independent
publisher, is brave in many ways and doesn’t mind bringing
out small gems like TOO MANY MAGPIES by Elizabeth
Baines. Full disclosure: the author is a friend of
mine. She’s written a very good collection of short
stories, also from Salt, called BALANCING ON THE EDGE
OF THE WORLD. This novella is terrific. You start
out thinking it’s going to be a creepy story. Then things
develop and you wonder: were you mistaken? There’s a
definite air of menace, of things being not quite right and
was that something supernatural just there, or only ordinary
life as seen through the eyes of an unusually sensitive woman?
Then the narrative becomes more ‘normal’ and I
put that word in inverted commas for a reason. At the end,
everything becomes clear in the most satisfying way, so that
you find yourself saying: I should have seen that. I ought
to have noticed. I had the clues and didn’t pick them
up. It’s very clever indeed and finally, very moving
too. Salt have been in some financial difficulties lately
and their readers have rallied round to help them, and I do
recommend this as something to buy. There are various offers
on the Salt website, so do go over there and have a look.
It’s also light and small and would be a super Christmas
present to post off to friends.
When I first came to live in Manchester in the late Sixties,
I read every novel by Elizabeth Taylor that
I could lay my hands on. I’m rereading them again now
and they are just as good as I remembered. So I fell on THE
OTHER ELIZABETH TAYLOR by Nicola Beauman
( Persephone Books) with glee. As with all Persephone Books,
this volume is a thing of great physical beauty. The text
doesn’t disappoint either. Beauman writes clearly and
well and any lover of the novels will be fascinated to read
the details of this writer’s life and loves. What fascinated
me in particular was learning about Taylor’s long and
warm relationship with another favourite writer of mine, William
Maxwell, who was her editor at the New Yorker. There are photographs
and also lots of good gossip. It’s shocking to read
the unkind remarks of several other women writers of the time
who didn’t think much of Taylor’s work. I loved
this book.
MR. TOPPIT by Charles Elton
(Penguin) was a Richard and Judy book and I liked it because
it’s about a children’s writer and the havoc his
work causes in his immediate family. It’s also a very
funny exposure of media foibles and is constantly fast-moving
and entertaining. I’m not altogether sure what it is
that people have against children’s writers. A
S Byatt’s THE CHILDREN’S BOOK
also has children royally messed up by their parents, but
as a children’s writer myself, I reckon it’s parents
as people and not as writers who might be to blame!
Zoe Heller can be relied on to provide the
blackest of black comedy. I loved THE BELIEVERS
and also NOTES ON A SCANDAL and EVERYTHING
YOU KNOW (Penguin) is her first book. It’s
about a screenwriter whose wife dies and the fallout from
this death. He has children, colleagues, and lovers and you
laugh at what you perceive as a kind of mad farce but as you
go on, you realize that what you’re laughing at is actually
profoundly sad and you end the book admiring a writer who’s
positively Swiftian in her satire, and who’s so good
at describing family relationships of a particular kind. I
believe it wasn’t very well received when it first came
out but don’t let this put you off. It’s constantly
interesting and fast-moving and I reckon very good indeed.
If you’re an Anne Tyler fan, NOAH’S
COMPASS, her latest book, (Chatto and Windus) is
going to be a real treat. I love the way she takes you right
into the lives and minds of her characters. In this case,
an elderly man who suffers an attack in his home and what
his reactions to this are and how they affect his relationships
with his family and in particular, a younger woman with whom
he becomes involved. Describing the plot of a Tyler novel
is pointless. It sounds as though nothing much happens to
anybody and that what does happen isn’t very exciting
but nothing could be further from the truth. She’s amazing
and every new novel is a pleasure.
THE TORTOISE AND THE HARE by Elizabeth
Jenkins (Virago) was first published in 1954. Jenkins
is still alive, I believe, and has passed her hundredth birthday.
It’s the story of a marriage and completely gripping
and most beautifully written. We discussed this on Cornflower’s
Book Group, online and if you follow
this link you can see what everyone had to say about it,
but I can recommend it most heartily.
First prize for the most inappropriate cover image ever goes
to OLIVE KITTERIDGE by Elizabeth
Strout (Pocket Book). It depicts a beautiful young
woman in a strapless green evening gown, seen from the back
and of course, as per usual these days, cut off at the head.
How do I know she’s beautiful? I assume it from the
hints. The creamy skin of her back; the gorgeous fabric of
her gown. Olive Kitteridge, the eponymous heroine of this
Pulitzer Prize winning collection of linked short stories
is an elderly, large, plain ex-teacher of Maths. Go figure!
The book is astonishingly good. Unputdownable and most original,
too. You learn about a family, a community, and of course
all about Olive herself through stories which at first seem
separate and only link up completely at the end. Fantastic.
Cover your copy with a pretty wallpaper or something, as primary
school children do with their new exercise books.
I am half way through CROSSING TO SAFETY
by Wallace Stegner (Penguin Modern Classics)
and it is such a treat to find a writer I’d not heard
of before and who is so good. I’ll write more about
it next time and Cornflower, (see above) is going to be reading
it with the Book Group. My husband is a fan, and his
take on it is here. He also has some interesting things
to say in this post about why we like certain books and don’t
like others.
Next up, ANDROMEDA KLEIN by Frank
Portman who wrote the wonderful KING DORK
(Puffin) and CASTLE OF SHADOWS,
a first novel by Ellen Renner.
I’ll write again in January....it’s a bit early
to wish you all Happy New Year but hey, why not?
Happy New Year!
Adèle Geras
And do write to me at: adele
@ adelegeras.com
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